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	数码屏幕美学：由来、议题与理念; Digital Screen Aesthetics in the Era of Ubiquitous Displays and Global Surveillance
	黄鸣奋 ; HUANG Ming-fen
	2014-04
关键词	数码屏幕美学 digital screen aesthetics 泛在显示 ubiquitous displays 全球监视 global surveillance
英文摘要	黄鸣奋，厦门大学人文学院中文系教授。; 【中文摘要】数码屏幕美学以数码设备的屏幕为主要研究对象。它认为计算机对屏幕变革起了重大推动作用，使显示器成为交互式设备，并通过芯片嵌入等方式使屏幕交互式技术向计算机以外的数码设备延伸。随着全球信息基础设施的建设，交互与嵌入、显示与监视的矛盾扩展到了世界规模，泛在显示与全球监视都是令人瞩目的现象。在上述变革过程中，数码设备的屏幕成为审美欣赏与批判的对象。数码屏幕美学关注与屏幕相关的各种数码科技的社会应用所带来的文化变革。其议题重点在于上述屏幕本身的静态美与动态差、人们利用这些屏幕创作与鉴赏的二维与三维作品，以及与之相适应的审美经验和审美心理，如秀癖与赞癖等。它的基本理念是:培养与数码屏幕审美相适应的超素养，关注大数据所映射出的社会变革，审视随之而来的现实观念的变迁。 【Abstract】In digital screen aesthetics the screen of a digital device is the main object of the research. Digital technology not only has the benefit of the experiences accumulated from development and application areas of the screen，but also inputs a powerful drive tothe screen changes. The interaction has shown how science and technology workers and artists make a significant contribution to meet the aesthetic needs of human，how ubiquitous displays and global surveillance earn the current global popularity. It analyzes the beauty of a variety of screens made from different materials and concerns arts which are created and appreciated by screen and relevant aesthetic experience and aesthetic psychology. It investigates screens from the perspective of front，middle and rear，argues that trans-literacy is the request for screen readers in the digital era，big data is worth attention as a source for the content of screens and the social role played by the information machine is worthy of further study.; 国家社会科学基金艺术学项目“数码艺术潜学科群研究”（13BA008)
语种	中文
出版者	厦门大学学报（哲学社会科学版）编辑部
内容类型	其他
源URL	[http://dspace.xmu.edu.cn/handle/2288/94352]
专题	2014年
推荐引用方式 GB/T 7714	黄鸣奋,HUANG Ming-fen. 数码屏幕美学：由来、议题与理念, Digital Screen Aesthetics in the Era of Ubiquitous Displays and Global Surveillance. 2014-04-01.

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