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	印度花鸟嫁接式图像及其在中国的新发展——纪念敦煌研究院成立七十周年
	李静杰 ; LI Jingjie
	2016-03-30 ; 2016-03-30
关键词	笈多王朝 唐王朝 花鸟嫁接式图像 装饰纹样 Gupta dynasty Tang dynasty Grafting image of birds andflowers Decorative pattern J312.2
其他题名	Indian Grafting Image of Birds and Flowers and Its Development in China——Commemorating the 70th Anniversary of Dunhuang Academy
中文摘要	花鸟嫁接式图像,亦即鸟雀与花卉的混合造型,其艺术创意近乎极致,构建装饰纹样史上一座里程碑。这种图像创始于印度笈多时代,后笈多时代与帕拉时代延续发展,波及古印度大部版图。初唐时期印度花鸟嫁接式图像传入并迅速中国化,武周至盛唐时期风行一时,连绵至五代前后,唐两京所在中原地区始终是中心发展区域。中国花鸟嫁接式图像数量之众、发展程度之高,又非印度所能及。; The grafting image of birds and flowers is a kind of hybrid pattern of birds and flowers, which displays excellent creativity and became a milestone in decorative pattern history. This pattern originated inthe Gupta dynasty, and continuedto develop in the post-Gupta and Pala periods, while spreading to most parts of India. This kind of image was introduced into China in the early Tang dynasty, and soon becameSinicized. It caught on from the period of rule of Empress Wu Zetian to the High Tang period, and it lasted until the Five Dynasties. However, it was mainly developed in the Central Plains, including the two capitals of the Tang dynasty. These kinds of images in China far surpassed its Indian prototype not only in number but also in achievements.
语种	中文 ; 中文
内容类型	期刊论文
源URL	[http://ir.lib.tsinghua.edu.cn/ir/item.do?handle=123456789/146337]
专题	清华大学
推荐引用方式 GB/T 7714	李静杰,LI Jingjie. 印度花鸟嫁接式图像及其在中国的新发展——纪念敦煌研究院成立七十周年[J],2016, 2016.
APA	李静杰,&LI Jingjie.(2016).印度花鸟嫁接式图像及其在中国的新发展——纪念敦煌研究院成立七十周年..
MLA	李静杰,et al."印度花鸟嫁接式图像及其在中国的新发展——纪念敦煌研究院成立七十周年".(2016).

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